Aubrey Sherwood’s critique from an art critic

This photo was taken by Aubrey Sherwood and later viewed by famous painter Harvey Dunn.   17

Harvey Dunn

Harvey Dunn was born in 1883, south of Manchester, De Smet’s neighboring town. Dunn was the nephew of Nathan Dow, Grace Ingalls Dow’s husband. Grace was Laura Ingalls Wilder’s youngest sister. Dunn received art education at South Dakota State University, the Chicago Art Institute and Howard Pyle in Wilmington, Delaware. He settled in Tenafly, New Jersey, from 1919 until his death in 1952.

Dakota Woman, Harvey Dunn -  Dakota Discovery Museum

Dakota Woman, Harvey Dunn – Dakota Discovery Museum

Dunn became one of the leading magazine illustrators for the Saturday Evening Post, which was a leading bi-monthly American magazine at the time. He was named president of the American Society of Illustrators and was also an influential art teacher. In-depth biographies of his art career are available here and here. Although he built a life in New Jersey, he frequently returned to the prairie to rekindle his memories of pioneer days and captured its beauty in many of his paintings. He even gifted four original paintings to the library of De Smet, one to the De Smet American Legion and 37 to the South Dakota Art Museum in Brookings, South Dakota. To view an online gallery of those paintings, visit the South Dakota Art Museum website.

Aubrey Sherwood – Editor, “The De Smet News”

Another important De Smet resident was longtime newspaper man Aubrey Sherwood. Sherwood was one of the first in the community to realize the historical significance of Laura Ingalls Wilder’s books and their potential impact on De Smet as an educational and historical destination. He spent his life seizing every opportunity to preserve pioneer history in this region. He took thousands of photos in the area during his lifetime and many were eventually donated to the Laura Ingalls Wilder Memorial Society.DeSmetNews When he submitted this photo to the Memorial Society archives, this story was included. 17 Sherwood dated his story Sept. 23, 1981. He wrote, “The four-horse team on the binder is a photograph I took of Colwell at the farm four miles north of De Smet. The print was on the counter at “The News” on one of Harvey Dunn’s early returns here and he picked it up and asked if I had taken it. ‘That’s a pretty good picture,’ Dunn said, as he judged its composition at arm’s length. Then, turning it over, he put a thumb over the tree showing above the grain. Dunn continued, ‘Now that’s a better picture, Aubrey. Too many persons with a camera in their hands take pictures including everything in the view finder. If you want to take good pictures, study paintings: the painter puts in his work only the things needed to tell the story of the painting.” Aubrey completed his story of this photograph by writing, “I have called this my first criticism and instruction on photography from a a famed artist. AHS”

Advertisements

One comment on “Aubrey Sherwood’s critique from an art critic

  1. Sadie M. says:

    Do you know where I can find a copy of Aubrey Sherwood’s “Treasures from C.P. Ingalls and Laura Wilder”? I’ve been on the lookout for years and never so much as glimpsed one!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s